The Grammys’ New Best Traditional Country Album Brings Together a Star-Studded Lineup of Country Legends. ML
Country music finally got some long overdue respect from the GRAMMYs this year and it came with a brand-new category that is already making waves. The 2026 nominations introduced the Best Traditional Country Album category, giving artists who live and breathe classic country the spotlight they have been denied for far too long. The first crop of nominees is stacked from top to bottom.
Best Traditional Country Album Nominees
- Dollar A Day by Charley Crockett
- American Romance by Lukas Nelson
- Oh What A Beautiful World by Willie Nelson
- Hard Headed Woman by Margo Price
- Ain’t In It For My Health by Zach Top
Margo Price delivered her fiercest work yet with Hard Headed Woman, and she is not just showing up for herself. Her nomination carries weight for every independent woman in country who poured blood, sweat and heartbreak into a record over the past year. It is a sharp and fearless album that puts grit and substance above polish, and it deserves to be here.
Zach Top’s nomination is just as important. Ain’t In It For My Health did not just tip its hat to tradition. It brought it charging back into the spotlight. His record sounds like it was cut straight to tape in a smoke-filled honky-tonk, and it reminds everybody what country sounds like when you strip it down to the bone. This is the kind of artist the genre needs more of. There is no flash and no gimmick, just real feeling.
Charley Crockett brought his signature vintage grit with Dollar A Day, and it feels like the kind of record born on the road and raised in barrooms. He has been slowly carving out a space in the industry without changing his sound to fit the mainstream. This nomination feels like a win for every artist who stayed true to themselves, even when the radio would not give them the time of day.
Lukas Nelson’s American Romance earned his first solo nomination and brought plenty of heart with it. The writing is personal, and the sound is warm. Lukas continues to carve a path that honors his roots without getting stuck in them.
Willie Nelson also appears on the list with Oh What A Beautiful World and this is where things get a little messy. Nobody is denying Willie’s legendary status. His legacy speaks for itself. But this record, while solid, is a collection of covers and does not carry the weight of his best work. Even so, his name helped secure another spot on the list.
As pointed out by Saving Country Music, one of the most glaring absences this year is the Turnpike Troubadours. The Price of Admission had everything. It was tight, emotional, and packed with songs that hit deep. If nominations were based solely on impact and quality, they should be standing beside the rest of these artists. Instead, they were left out, and the honest truth is that name recognition can still tip the scales. Willie is also nominated again in the Americana category for Last Leaf On The Tree, and with his Merle Haggard tribute just released, there is already talk that he could be back on the list again next year.
This is not about disrespect. Willie has earned every flower thrown at his feet. But another nomination for a mid-tier release does little for him at this point. For Turnpike, it would have been a moment that changed everything. Now they are sitting this one out while a living legend may walk away with even more hardware.
Even with all that, this new category is a win for traditional country. It gives classic sounds and hard-earned voices a place to stand tall. There is still work to be done, but this is a solid foundation to build on. The GRAMMYs finally opened the door, and the right kind of country came walking through it.
Between Margo’s fire, Zach Top’s raw honesty, and Charley’s dusty road wisdom, this year’s nominees prove that the heart of country music is still beating strong and loud.
